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For that, you’ll want a higher bit rate, a higher bit depth, higher color sampling, and a higher resolution.īut high quality means larger file sizes, which means your media cards will fill up faster, and you will have shorter recording times. You also probably want higher quality if you’re planning to transcode the footage, i.e., convert it to another format – which you may want to do at the end of your editing. You want high quality if you plan to do a lot of heavy editing with the footage, adding FX, doing color correction or grading, compositing/greenscreen, enlargements, reductions, picture-in-picture, etc. Lower-quality video will usually have smaller file sizes. The higher the quality – the higher the resolution, the higher the color depth, the higher the bit rate, using HDR – the larger the file size. The choice between formats when shooting usually comes down to quality vs. You may also only be able to access certain frame rates with certain codecs.
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#Sony vegas 14 plug in quicktime mp4#
For example, if a camera offers a choice between AVCHD and MP4, chances are, AVCHD will be lower-quality and offer smaller frame sizes, while MP4 may offer larger frame sizes and more choices when it comes to frame rates, bit depth, and color sampling. The main differences between codecs here will be file size, and whether you can access a lot of different options like frame rate, bit rate, color sampling, and bit depth. You may get to choose the specific codec you want to record in. It will usually record to a preset codec which you can’t change.Ī video camera, including a DSLR, may give you many more choices.
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This is previously called a Distribution Format Exchange Profile (.DFXP) file.Īt Rev, we’ve seen success using this method.When shooting video, you may or may not have a lot of control over what format you shoot, depending on the kind of camera you’re using.Ī phone camera will usually give you a few choices: resolution/frame size (usually Full HD or UHD), frame rate, and possibly High Dynamic Range (HDR). It’s probably best to import open captions or open subtitles as a Timed-Text Markup Language (.TTML) file. Instead, you’ll only get asterisks or “blocks” on your screen.
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However, unless your imported subtitles have specific encoding, it won’t show in Adobe Premiere Pro during playback.
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Complications with Foreign Characters in Subtitlesįor the most part, captions save as “text” files. If you have multiple subtitle groups, it’s not recommended to set all captions and subtitles to one particular stream. For instance, in Adobe Premiere Pro, there are four available channels within CEA-608: Yet, ensure your captions are set to the appropriate channel or format. If you need to add text or adjust any fonts, colors, times, or positions, they’re all enabled. You see from the imported example, German subtitles are available for edit on the screen’s left side. Double-click desired text in the Sequence section, and the highlighted captions will appear in the editor.